WONG SIN

〈銀骨，黑髮，軟肉〉
Silver Bone, Black Hair, Soft Flesh

2024

偶發事件：〈皮毛之事，消失之肉身〉
Happenings ：“Matters of skin and fur, a body that disappears”

只需要專注於你的「感知」，它伴隨所有事物的開展。
Just focus on your ”Perception,“ and it accompanies the unfolding of all things.

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這次將十個左右的元素看似毫無關係地像是書寫散文或詩歌般組合一起。（毛皮、火腿、蠟燭、黑髮、脊椎骨、泡沫、炭條、珍珠針、電筒、文字、火機）先拋開腦袋，用感知去聯想一場一點也不暴烈、皮毛之事般的祭典。（反諷：當未日來臨，一切意義都是吹灰之談。）
想起森田童子的歌。

我比較好奇的是這件作品透過編排與一連串行動所帶來的呈現。帶回2022年造的〈黑骨〉以及〈池塘〉那件的羊毛，然後題目〈銀骨，黑髮，軟肉〉三組詞語作為引發點，回應「書寫作為方法」。作品中所有物件都是自身的選擇和意欲，當時的行動處於沒有仔細編排下發生，再配合觀賞者對現場行動後遺留下來的痕跡之詮釋與聯想。觀賞時只需帶著眼睛、皮膚和心。

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This time, about ten seemingly unrelated elements are combined together like writing prose or poetry. (fur, ham, candle, black hair, vertebra, foam, charcoal stick, pearl pin, flashlight, text, lighter) Let go of your mind and use perception to imagine a festival that is not at all violent, like a fur-related event. (Irony: When the end is near, all meanings are meaningless.) Reminds me of a song by Doji Morita.

What I am more curious about is the presentation brought about by the arrangement and a series of actions in this work. Bringing back the wool from "Black Bone" and "Pond" made in 2022, and using the three sets of words "Silver Bone, Black Hair, Soft Flesh" as the starting point, responding to "writing as a method." All objects in the work are choices and intentions of themselves, and the actions at that time occurred without careful arrangement, combined with the interpretation and associations left by the viewers after the on-site actions. When viewing, just bring your eyes, skin, and heart.